Character Sketch of Passepartout
Passepartout, Fogg’s servant, is a counterpoint to Fogg’s character. From the first chapter on, this intriguing Frenchman is a vital component of the storey. He is depicted as a man in search of peace following an active and adventurous life. This is why he chooses to serve the impeccably dressed Fogg, who comes out as a fastidious man who is unwilling to travel.
Passepartout quickly finds he is mistaken, as Fogg abruptly arranges a tour around the world and drags Passepartout along. This voyage is not taken at a leisurely pace, but rather at a frenetic gallop punctuated by numerous bumps.
While Passepartout is a devoted servant, he is the one who delays his master multiple times. Passepartout is somewhat naive and tends to get carried away on multiple occasions. While Fogg, Aouda, and Passepartout are in Hong Kong, Passepartout is opiated by Fix and is unable to alert his master of the Carnatic’s revised departure time. As a result, Fogg is compelled to hire a special boat to Shanghai. Passepartout is captured by the Sioux later in the storey when the gang traverses America. Fogg’s voyage is further delayed by his decision to rescue his menialPassepartout. But the final blow comes when Fogg is apprehended in England by detective Fix. Passepartout bears a large portion of the guilt for this arrest. He should have informed his master of Fix’s concerns about the robbery, but he failed to do so. Passepartout is aware that he is a significant source of delay and financial loss to his master. On the other hand, he compensates for his blunders with his affable disposition and unwavering devotion and dedication for his owner. Additionally, it is Passepartout who takes the decisive step in rescuing Aouda. He is the one who rescues her from the sacrificial pyre by posing as the resurrected Rajah. Thus, while Fogg proposes Aouda’s rescue, Passepartout makes it possible.
At the conclusion of the novel, Fogg expresses his gratitude to Passepartout once more. Passepartout is the one who contacts the Reverend Samuel Wilson of the Parish of Marylebone to inform him of Fogg and Aouda’s impending wedding. When he approaches the priest about marrying the couple, he becomes aware that the following day is Sunday, not Monday. He returns to his lord, dragging him to the Reform Club. Fogg wins the wager when his menial realises their combined error at the last minute.
Fogg and Aouda both like the amusing Passepartout. Fogg distributes a portion of the money he earns to Passepartout, while Aouda lavishes this Frenchman with her loving and care.
Passepartout’s actions serve to bring a humorous element to the storey. He is all the more intriguing because he was previously an acrobat. His brief appearance as a long-nosed acrobat dressed in Japanese garb is a really vivid cameo. His levity and gaffes stand in stark contrast to Fogg’s seriousness and meticulousness. They create an exceptional pair when they work together.
Passepartout captivates his audience, and readers develop a fondness for this strange, eccentric Frenchman.
