Characteristics of Restoration Drama
The period of the Restoration, spanning from 1660 to 1688, marked a time of substantial political, social, and cultural transformation in England. A noteworthy contribution of this era was the emergence of a distinct form of drama known as Restoration drama. This essay aims to examine the key features of Restoration drama and their significance.
Realism and Bawdiness
Restoration drama was characterized by its focus on realism and bawdiness. This period witnessed an increase in plays that showcased explicit sexual content and contemporary settings. These works, such as William Wycherley’s “The Country Wife” and George Etherege’s “The Man of Mode,” mirrored the evolving attitudes towards sexuality and morality during that time.
Wit and Satire
In addition, Restoration drama was marked by a focus on wit and satire. Playwrights such as William Congreve and John Dryden utilized their works to criticize the excesses and hypocrisies of the ruling class and satirize the mores and customs of the time. This focus on wit and satire reflected the changing attitudes towards authority and tradition in the period.
Restoration Comedy of Manners
Restoration drama also witnessed the emergence of the comedy of manners as a defining characteristic. This form of play ridiculed the social conventions and manners of the upper classes and featured witty dialogue and intricate plots. Playwrights such as William Congreve and George Etherege played an instrumental role in developing the comedy of manners, which became a hallmark of Restoration drama.
Female Playwrights
The emergence of female playwrights, such as Aphra Behn and Susanna Centlivre, was another notable feature of Restoration drama. These women challenged traditional gender roles and stereotypes through their works, which often featured strong, independent female characters. Behn, in particular, was one of the most successful playwrights of the period, and her works were known for their feminist themes and critiques of the patriarchy.
